Whether it`s Double Indemnity, Kiss Me Deadly, or The Big Sleep, roam a screen world of dark and brooding elegance with this essential handbook to Film Noir. From private eyes and perfect crimes to corrupt cops and doomed affairs, editors Paul Duncan and Jurgen Muller examine noir`s key themes and their most representative movies from 1940 to 1960.Copiously illustrated with film stills as well as original posters, this book offers page after page of noir`s masterful visual compositions while exploring the narrative paradigms of this cryptic, compelling, and evolving genre. If that weren`t enough to tickle your cinematic appetite, the volume concludes with TASCHEN`s top 50 pick of noir classics. Brimming with the enigmatic dames, desperate gangsters, and psycho killers that continue to cast a long and captivating shadow over cinema, this is a must-have handbook for noir aficionados and amateurs alike.
The life and times of Pieter Bruegel the Elder (c. 1526/30?1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba?s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his day, addressing the horrors of religious warfare and taking a critical stand against the institution of the Church. To this end, Bruegel developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions. This book is derived from our XXL monograph, which saw TASCHEN undertake a comprehensive photographic survey of the artist?s oeuvre. The result boasts exceptional details and reproductions, unveiling Bruegel?s larger-than-life universe with unprecedented clarity. This volume, in celebration of our 40th anniversary, presents all 40 paintings, accompanied by enlarged details and accessible, immersive texts.
An in-depth exploration of Bruegel?s painted work The life and times of Pieter Bruegel the Elder (c. 1526/30?1569) were marked by stark cultural conflict. He witnessed religious wars, the Duke of Alba?s brutal rule as governor of the Netherlands, and the palpable effects of the Inquisition. To this day, the Flemish artist remains shrouded in mystery. We know neither where nor exactly when he was born. But while early scholarship emphasized the vernacular character of his painting and graphic work, modern research has attached greater importance to its humanistic content. Starting out as a print designer for publisher Hieronymus Cock, Bruegel produced numerous print series that were distributed throughout Europe. These depicted vices and virtues alongside jolly peasant festivals and sweeping landscape panoramas. He then increasingly turned to painting, working for the cultural elite of Antwerp and Brussels. Rather than idealizing reality, he bravely confronted the issues of his day, addressing the horrors of religious warfare and taking a critical stand against the institution of the Church. To this end, Bruegel developed his own pictorial language of dissidence, lacing innocuous everyday scenes with subliminal statements in order to escape repercussions. This book is derived from our XXL monograph, which saw TASCHEN undertake a comprehensive photographic survey of the artist?s oeuvre. The result boasts exceptional details and reproductions, unveiling Bruegel?s larger-than-life universe with unprecedented clarity. This volume, in celebration of our 40th anniversary, presents all 40 paintings, accompanied by enlarged details and accessible, immersive texts.
Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. This chilling volume packs 640 pages full with the finest slashers, ghosts, zombies, cannibals, and more, curating the very creepiest screen creations from the flickering spooks of the 1920s to the special-effect terrors of the 21st century. Across 10 illustrated chapters, the compendium gets under the skin of some of horror`s favorite figures and themes, whether the vampire, the haunted house, the female killer, or the werewolf. Each classic device is explored in aesthetic and historical terms, probing horror`s manipulation of archetypal human fears as much as socially and culturally specific anxieties. A subsequent Top 50 movies section brings readers up close and trembling with 50 horror showpieces, from black-and-white classics like Dr Jekyll and Mr Hyde and Godzilla to Rosemary`s Baby, The Wicker Man, The Shining, The Blair Witch Project, and much, much more. Throughout, the book`s featured images include movie posters, set designs, film stills, and on-set shots.
Take a journey through the makers and shapers of celluloid history. From horror to romance, noir to slapstick, adventure to tragedy, Western to new wave, this selection gathers the greats of 20th-century cinema into one indispensable guide to movie gold. The collection is arranged chronologically and in an extra-handy format. Film entries include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. From Metropolis to Modern Times, A Clockwork Orange to Bunuel`s The Young and the Damned, from the blockbusters to lesser-known masterpieces, thumb through and transform a quiet evening into an unforgettable screen encounter.
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