„Westheider Ortrud” – książki

In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time. Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners.

Featuring ancient Greek and Roman sculpture, this book explores the history and legacy of ancient statues of Olympian gods. For people in ancient Greece, ornately and imposingly fashioned statues depicting the gods symbolized power or ideal beauty. During the Roman Empire, when sculptors copied Greek models, the sculptures conveyed an aura of education and scholarship. This volume showcases antique sculptures that represent the most important Greek Olympian gods. Culled from the collection of the Staatliche Kunstsammlungen Dresden, one of the most important collections of antiquities, this book features objects ranging from the 6th century B.C.E. to the 4th century C.E. The sculptures express the Greek ideal of beauty and the remarkable creative powers of these artists as well as the evolving ways gods were portrayed?from solemn and religiously formal to natural and graceful figures.

Featuring major works from Caravaggio and his circle and the Italian Baroque period, this lavishly illustrated book looks at Rome as the center of European culture in the 17th century. The National Galleries Barberini Corsini in Rome host one of the major collections of Italian Baroque paintings. This art has been admired all over Europe. The monarchs aimed to transfer the glamour of Roman Baroque to their courts. In the 18th century Frederick II of Prussia modeled the Palais Barberini in Potsdam, Germany, after the Barberini Palace in Rome. In January 2017 the newly founded Museum Barberini moved into the recently reconstructed Palais Barberini in Potsdam. This book accompanies an exhibition in Potsdam of splendid 17th century works from the National Galleries Barberini Corsini in Rome. It provides not only a fitting background to Museum Barberini?s fascinating architectural history but also highlights the important role of the Barberini family and Pope Urban VIII as patrons and art collectors.

In the 17th century, Amsterdam was a vibrant hub of the burgeoning European trade with Asia, Africa, and the Levant, importing copious amounts of foreign items that powerfully stimulated the imagination of numerous Dutch artists. This was notably the case with Rembrandt, whose curiosity and voraciousness as a collector were legendary in his time. Throughout his prolific career, he drew on Eastern influences in genres as diverse as history painting and portraiture, including depictions in which he himself adopted Oriental styled attire. This lavishly illustrated book explores the inventive ways in which Rembrandt and his contemporaries accommodated Eastern imagery into their own repertoire, set within the wider context of Holland's rapidly expanding commercial and cultural exchange with its non-European trading partners. The problematic term "Orient" was widely used in Rembrandt's time and will be discussed at great length in this catalogue.

Die Publikation ?Von Hopper bis Rothko. Amerikas Weg in die Moderne? widmet sich der amerikanischen Kunst vom Impressionismus bis zum Abstrakten Expressionismus mit selten gezeigten Werken aus der Phillips Collection, Washington DC. Im Gilded Age setzte mit Landschaftsmalerei eine Entwicklung ein, die im Wechselspiel mit europäischen Einflüssen zur Abstraktion führte. Das Buch stellt Duncan Phillips als Sammler und Förderer dieser jungen Kunst vor. Es enthält Essays von amerikanischen und europäischen Autorinnen, die die repräsentative Auswahl von 68 Gemälden von 50 Künstlerinnen und Künstlern in den Kontext der gesellschaftlichen Entwicklung der USA stellen. Die hier versammelten Werke erzählen die parallelen und diversen Kunstgeschichten einer jungen Nation.

From his first compositions to the colorful flower images of his late years, Vincent van Gogh repeatedly painted still lifes. In this genre, he could try out various pictorial techniques ? from depicting space through light and shadow to experimentation with color. Although many of his still life compositions employed traditional approaches to the genre, he ultimately formulated an unmistakably unique artistic style. This lavishly illustrated book revisits the development of Van Gogh's career and focuses on his still-life paintings, offering new insights into the working process and creative evolution of one of the most radical innovators in the history of modern art.