Selected Poems of Christina Rossetti

Elizabeth Barrett Browning was such an acclaimed poet in her own lifetime that she was suggested as a candidate for the Poet Laureateship when Wordsworth died in 1850. Yet today we have only a limited knowledge of her considerable life?s work as a poet, in part because of a lack of representative but accessible editions of her work. Readers will find here not only her well-known sonnet sequence of love poems, Sonnets From the Portuguese, but also lesser known sonnets, some in praise of the cross-dressing bohemian writer George Sand, others to contemporary poets and artists. Her religious and spiritual poetry echoes that of the Metaphysical poets. A different voice emerges in her social and political protest poems, such as ?The Cry of the Children? and ?The Runaway Slave at Pilgrim?s Point?...

William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the 'flower power' generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert 'the mind-forged manacles' of restriction. This volume contains many of his writings, including: 'Songs of Innocence', 'Songs of Experience', 'The Marriage of Heaven and Hell', and a generous selection from the Prophetic Books including 'Milton' and 'Jerusalem'.

Wilde, glamorous and notorious, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

Introduction and Notes by Norman Vance, Professor of English, University of Sussex. Far from the Madding Crowd is perhaps the most pastoral of Hardy's Wessex novels. It tells the story of the young farmer Gabriel Oak and his love for and pursuit of the elusive Bathsheba Everdene, whose wayward nature leads her to both tragedy and true love. It tells of the dashing Sergeant Troy whose rakish philosophy of life was '...the past was yesterday; never, the day after', and lastly, of the introverted and reclusive gentleman farmer, Mr Boldwood, whose love fills him with '...a fearful sense of exposure', when he first sets eyes on Bathsheba. The background of this tale is the Wessex countryside in all its moods, contriving to make it one of the most English of great English novels.

Ten wybór różni się od dotychczasowych prezentacji eseistyki Woolf: pisarka nie występuje tu jedynie jako czytelniczka, recenzentka, komentatorka i teoretyczka literatury modernistycznej, lecz przede wszystkim jest „uwikłana w świat”: podróżuje, angażuje się w dyskusje nad ważnymi kwestiami społecznymi, domaga się prawa do „zintensyfikowanego istnienia” dla kobiet, dzieci i zwierząt, chadza do kina, na wystawy i na wiece protestacyjne. Stając w obronie tej „wszechogarniającej przemożnej siły” i „pobudzającej energii”, jaką jest życie, z fascynującą precyzją i przenikliwością rekonstruuje momenty zdumienia istnieniem i śmiercią, budując przy tym zdania należące do najpiękniejszych, jakie zna literatura. Teksty Woolf są olśniewające, precy...

With an Introduction, Bibliography and Glossary by Michael Irwin, Professor of English Literature University of Kent at Canterbury. Thomas Hardy started composing poetry in the heyday of Tennyson and Browning. He was still writing with unimpaired power sixty years later, when Eliot and Yeats were the leading names in the field. His extraordinary stamina and a consistent individuality of style and vision made him a survivor, immune to literary fashion. At the start of the twenty-first century his reputation stands higher than it ever did, even in his own lifetime. He is now recognised not only as a great poet, but as one who is widely loved. He speaks with directness, humanity and humour to scholarly or ordinary readers alike

W. B. Yeats was Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prize winner, dramatist and, above all, poet. He began writing with the intention of putting his 'very self' into his poems. T. S. Eliot, one of many who proclaimed the Irishman's greatness, described him as 'one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them'. For anyone interested in the literature of the late nineteenth century and the twentieth century, Yeats's work is essential. This volume gathers the full range of his published poetry, from the hauntingly beautiful early lyrics (by which he is still fondly remembered) to the magnificent later poems which put beyond question his statu...

With an Introduction, Notes and Bibliography by Dr Bruce Woodcock, Senior Lecturer in English, University of Hull. Shelley's short, prolific life produced some of the most memorable and well-known lyrics of the Romantic period. But he was also the most radical writer in the English literary tradition of his day, a fiery political visionary committed to social change and progress. The generous selection in this volume represents the wide range of his writing, both poetry and prose. Arranged chronologically, the accompanying introductory essays set Shelley's works in their historical, social and political context. They provide a vivid insight into the life and times of this volcanic spirit whose inspiring voice called on the people of England to: ‘Rise like lions after slumber In unvanqui...

Short Stories from the Nineteenth Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of the great storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.

None of the great Victorian novels is more vivid and readable than The Mayor of Casterbridge. Set in the heart of Hardy's Wessex, the 'partly real, partly dream country' he founded on his native Dorset, it charts the rise and self-induced downfall of a single 'man of character'. The fast-moving and ingeniously contrived narrative is Shakespearian in its tragic force, and features some of the author's most striking episodes and brilliant passages of description.

The phrase „life's little ironies” is now proverbial, but it was coined by Hardy as the title for this, his third volume of short stories. While the tales and sketches reflect many of the strengths and themes of the great novels, they are powerful works in their own right. Unified by his quintessential irony, strong visual sense, and engaging characters, they deal with the tragic and the humorous, the metaphysical and the magical. The collection displays the whole range of Hardy's art as a writer of fiction, from fantasy to uncompromising realism, and from the loving re-creation of a vanished rural world to the repressions of fin-de-siecle bourgeois life.

Adultery is not a typical Jane Austen theme, but when it disturbs the relatively peaceful household at Mansfield Park, it has quite unexpected results. The diffident and much put-upon heroine Fanny Price has to struggle to cope with the results, re-examining her own feelings while enduring the cheerful amorality, old-fashioned indifference and priggish disapproval of those around her.